view
play
Our Work:
Debitam - Advert

The Ritual of the Accounts

Every year, small business owners must complete the tedious ritual of submitting their company accounts to HMRC. This process doesn't have to be so taxing, however, with Debitam ready to offer a helping hand.

CLIENT
Debitam
LOCATION
Bentham, North Yorkshire
PROJECT
The Ritual of the Accounts
OUR SERVICES

Concept Development

+ Idea Generation & Iteration

+ Script Writing

+ Storyboard/Shot list

 

Pre-Production

+ Concept Refinement

+ Logistics
+ Casting

+ Crew Hire
+ Scouting

+ Permits
+ Prep

 

Production

+ Directed

+ Produced

+ Shot on Red

 

Post-Production

+ Editing

+ Voiceover Casting & Voiceover Recording

+ Sound Mix & Master

+ Visual FX

+ Colour Grade

+ Music Licensing

+ Subtitling

+ Amendments

CLIENT
Debitam
LOCATION
Bentham, North Yorkshire
PROJECT
The Ritual of the Accounts
DELIVERABLES

1 X 90 SEC YOUTUBE AD

6 X 10-30 SEC SOCIAL CLIPS

WHAT WE DID

Concept Development

+ Idea Generation & Iteration

+ Script Writing

+ Storyboard/Shot list

 

Pre-Production

+ Concept Refinement

+ Logistics
+ Casting

+ Crew Hire
+ Scouting

+ Permits
+ Prep

 

Production

+ Directed

+ Produced

+ Shot on Red

 

Post-Production

+ Editing

+ Voiceover Casting & Voiceover Recording

+ Sound Mix & Master

+ Visual FX

+ Colour Grade

+ Music Licensing

+ Subtitling

+ Amendments

CLIENT
Debitam
LOCATION
Bentham, North Yorkshire
PROJECT
The Ritual of the Accounts
DELIVERABLES

1 X 90 SEC YOUTUBE AD

6 X 10-30 SEC SOCIAL CLIPS

WHAT WE DID

Concept Development

+ Idea Generation & Iteration

+ Script Writing

+ Storyboard/Shot list

 

Pre-Production

+ Concept Refinement

+ Logistics
+ Casting

+ Crew Hire
+ Scouting

+ Permits
+ Prep

 

Production

+ Directed

+ Produced

+ Shot on Red

 

Post-Production

+ Editing

+ Voiceover Casting & Voiceover Recording

+ Sound Mix & Master

+ Visual FX

+ Colour Grade

+ Music Licensing

+ Subtitling

+ Amendments

BRIEF


Debitam is an online accounting and tax filing company dedicated to making the lives of its clients easier by doing annual tax filings for them. They offer a quick, paperless service, making that time of the year feel less like a ritual. Based in London, UK, they are partnered with the likes of Lloyds Banking Group, Stripe, Quickbooks, and many more well-known players in the realms of finance.

We previously worked with Debitam in 2021, when we created the 'We've Got Your Back' advert.

Debitam approached us to create another advert, following the positive reaction ‘We’ve Got Your Back’ received. With a rebrand on the horizon, they wanted a video that was attention-grabbing and crafted with the YouTube platform in mind. The video aimed to showcase how Debitam can help small business owners, saving them time and energy by doing their annual accounts and tax filing for them.

BRIEF


Debitam is an online accounting and tax filing company dedicated to making the lives of its clients easier by doing annual tax filings for them. They offer a quick, paperless service, making that time of the year feel less like a ritual. Based in London, UK, they are partnered with the likes of Lloyds Banking Group, Stripe, Quickbooks, and many more well-known players in the realms of finance.

We previously worked with Debitam in 2021, when we created the 'We've Got Your Back' advert.

Debitam approached us to create another advert, following the positive reaction ‘We’ve Got Your Back’ received. With a rebrand on the horizon, they wanted a video that was attention-grabbing and crafted with the YouTube platform in mind. The video aimed to showcase how Debitam can help small business owners, saving them time and energy by doing their annual accounts and tax filing for them.

Liverpool stadiumLiverpool Stadium
R&D
workshops
concept generation
competitor analysis
brainstorming
01
01

PRE-PRODUCTION


Building on the high-quality, narrative-driven content we’d produced for Debitam previously, we began the production with a discovery call to get a better insight into the company’s content goals and to understand what they needed. From this call, we internally brainstormed a number of key ideas and created a concept presentation outlining seven of the best ideas. The majority of these included elements of comedy and humour, as this tone has been well-received by Debitam’s audience in our previous work.


Once ‘The Ritual’ idea was selected, our creative team put together a series of moodboards to show what we wanted the video to look like. This provided us with a solid starting point to plan what we needed for the shoot. In addition, we drafted an early script and storyboard and refined these as we went along. Having a script and storyboard in the beginning of the process, allowed us to think about all the logistical elements we would need to consider when preparing this shoot.


Throughout the pre-production process, our producers worked closely with the creative team and our wider network to source materials, props, costumes, actors, equipment, and crew to help bring the idea to life.  


This complex shoot required us to source vintage props and niche costumes, such as a medieval robe and accessories. Fire was a key element in the narrative of ‘The Ritual’ and using it on such a large scale, we brought in a pyrotechnic who could advise on how best to build a large bonfire that would burn continuously throughout the shoot. A fire performer was also brought on board to further boost the visual elements in the advert.

Pre Productionpre production
shooting schedule
cast & crew
shot list
locations
call sheets
scriptwriting
02
02

production

Production of ‘The Ritual’ took place overnight in Bentham, North Yorkshire with our core team present (Director, Producers, Videographer, Photographer), as well as a Gaffer, Pyrotechnic, Make-Up Artist, and a cast of seven actors. Crew calls were scheduled throughout the day, with the earliest arrivals at 11 am to welcome the tents and wood pallets. These were set up and left in position for the first call time.


‘The Ritual’ was shot in 5K on our two RED Scarlet-W cameras, enabling us to capture every detail with brilliant clarity and colour. We shot at 48fps, giving us both beautiful slow-motion footage, as well as the flexibility to speed up the clips to 24fps in post if required.


The set was lit with 1x Arri True Blue 2.5K HMI and 1x Aputure Nova. These allowed us to create the illusion of brighter moonlight. Most of the light in the video came naturally from the fire, which the cameras were able to pick up with fantastic detail. The organic flickering and dancing of the flames added a feeling of authenticity to the video, making the story come to life even more for the audience. The shoot wrapped at 3 am, with the final crew leaving the site at 6 am.

ProductionProduction
set dressing
crew debrief
light rigging
filming
03
03

POST-production


Working with the detailed script and storyboard, we pieced together the 90-second advert, as well as the 6 social clips, which were optimised for quick, vertical viewing on platforms such as Instagram and Tik Tok. The video was edited, mixed, and graded by our in-house team, with a voiceover provided by David Lambert.


The video was delivered in a number of social-ready formats with and without captions, including 9:16, and 16:9, as well as our usual cinematic widescreen (2:35.1).

01
01

PRE-PRODUCTION


Building on the high-quality, narrative-driven content we’d produced for Debitam previously, we began the production with a discovery call to get a better insight into the company’s content goals and to understand what they needed. From this call, we internally brainstormed a number of key ideas and created a concept presentation outlining seven of the best ideas. The majority of these included elements of comedy and humour, as this tone has been well-received by Debitam’s audience in our previous work.


Once ‘The Ritual’ idea was selected, our creative team put together a series of moodboards to show what we wanted the video to look like. This provided us with a solid starting point to plan what we needed for the shoot. In addition, we drafted an early script and storyboard and refined these as we went along. Having a script and storyboard in the beginning of the process, allowed us to think about all the logistical elements we would need to consider when preparing this shoot.


Throughout the pre-production process, our producers worked closely with the creative team and our wider network to source materials, props, costumes, actors, equipment, and crew to help bring the idea to life.  


This complex shoot required us to source vintage props and niche costumes, such as a medieval robe and accessories. Fire was a key element in the narrative of ‘The Ritual’ and using it on such a large scale, we brought in a pyrotechnic who could advise on how best to build a large bonfire that would burn continuously throughout the shoot. A fire performer was also brought on board to further boost the visual elements in the advert.

Liverpool stadiumLiverpool Stadium
R&D
workshops
concept generation
competitor analysis
brainstorming
02
02

production

Production of ‘The Ritual’ took place overnight in Bentham, North Yorkshire with our core team present (Director, Producers, Videographer, Photographer), as well as a Gaffer, Pyrotechnic, Make-Up Artist, and a cast of seven actors. Crew calls were scheduled throughout the day, with the earliest arrivals at 11 am to welcome the tents and wood pallets. These were set up and left in position for the first call time.


‘The Ritual’ was shot in 5K on our two RED Scarlet-W cameras, enabling us to capture every detail with brilliant clarity and colour. We shot at 48fps, giving us both beautiful slow-motion footage, as well as the flexibility to speed up the clips to 24fps in post if required.


The set was lit with 1x Arri True Blue 2.5K HMI and 1x Aputure Nova. These allowed us to create the illusion of brighter moonlight. Most of the light in the video came naturally from the fire, which the cameras were able to pick up with fantastic detail. The organic flickering and dancing of the flames added a feeling of authenticity to the video, making the story come to life even more for the audience. The shoot wrapped at 3 am, with the final crew leaving the site at 6 am.

Pre Productionpre production
shooting schedule
cast & crew
shot list
locations
call sheets
scriptwriting
03
03

POST-production


Working with the detailed script and storyboard, we pieced together the 90-second advert, as well as the 6 social clips, which were optimised for quick, vertical viewing on platforms such as Instagram and Tik Tok. The video was edited, mixed, and graded by our in-house team, with a voiceover provided by David Lambert.


The video was delivered in a number of social-ready formats with and without captions, including 9:16, and 16:9, as well as our usual cinematic widescreen (2:35.1).

ProductionProduction
set dressing
crew debrief
light rigging
filming
04

post-production

Finally, we sculpt every frame and sound wave into a video you’ll be proud of sharing with the world.

Post Production Post Production
footage backup
visual fx
editing
music licensing
shot selection
sound fx
colour grading
voiceover

PRE-PRODUCTION


Building on the high-quality, narrative-driven content we’d produced for Debitam previously, we began the production with a discovery call to get a better insight into the company’s content goals and to understand what they needed. From this call, we internally brainstormed a number of key ideas and created a concept presentation outlining seven of the best ideas. The majority of these included elements of comedy and humour, as this tone has been well-received by Debitam’s audience in our previous work.


Once ‘The Ritual’ idea was selected, our creative team put together a series of moodboards to show what we wanted the video to look like. This provided us with a solid starting point to plan what we needed for the shoot. In addition, we drafted an early script and storyboard and refined these as we went along. Having a script and storyboard in the beginning of the process, allowed us to think about all the logistical elements we would need to consider when preparing this shoot.


Throughout the pre-production process, our producers worked closely with the creative team and our wider network to source materials, props, costumes, actors, equipment, and crew to help bring the idea to life.  


This complex shoot required us to source vintage props and niche costumes, such as a medieval robe and accessories. Fire was a key element in the narrative of ‘The Ritual’ and using it on such a large scale, we brought in a pyrotechnic who could advise on how best to build a large bonfire that would burn continuously throughout the shoot. A fire performer was also brought on board to further boost the visual elements in the advert.

PRODUCTION

Production of ‘The Ritual’ took place overnight in Bentham, North Yorkshire with our core team present (Director, Producers, Videographer, Photographer), as well as a Gaffer, Pyrotechnic, Make-Up Artist, and a cast of seven actors. Crew calls were scheduled throughout the day, with the earliest arrivals at 11 am to welcome the tents and wood pallets. These were set up and left in position for the first call time.


‘The Ritual’ was shot in 5K on our two RED Scarlet-W cameras, enabling us to capture every detail with brilliant clarity and colour. We shot at 48fps, giving us both beautiful slow-motion footage, as well as the flexibility to speed up the clips to 24fps in post if required.


The set was lit with 1x Arri True Blue 2.5K HMI and 1x Aputure Nova. These allowed us to create the illusion of brighter moonlight. Most of the light in the video came naturally from the fire, which the cameras were able to pick up with fantastic detail. The organic flickering and dancing of the flames added a feeling of authenticity to the video, making the story come to life even more for the audience. The shoot wrapped at 3 am, with the final crew leaving the site at 6 am.

POST-PRODUCTION


Working with the detailed script and storyboard, we pieced together the 90-second advert, as well as the 6 social clips, which were optimised for quick, vertical viewing on platforms such as Instagram and Tik Tok. The video was edited, mixed, and graded by our in-house team, with a voiceover provided by David Lambert.


The video was delivered in a number of social-ready formats with and without captions, including 9:16, and 16:9, as well as our usual cinematic widescreen (2:35.1).

PRE-PRODUCTION


Building on the high-quality, narrative-driven content we’d produced for Debitam previously, we began the production with a discovery call to get a better insight into the company’s content goals and to understand what they needed. From this call, we internally brainstormed a number of key ideas and created a concept presentation outlining seven of the best ideas. The majority of these included elements of comedy and humour, as this tone has been well-received by Debitam’s audience in our previous work.


Once ‘The Ritual’ idea was selected, our creative team put together a series of moodboards to show what we wanted the video to look like. This provided us with a solid starting point to plan what we needed for the shoot. In addition, we drafted an early script and storyboard and refined these as we went along. Having a script and storyboard in the beginning of the process, allowed us to think about all the logistical elements we would need to consider when preparing this shoot.


Throughout the pre-production process, our producers worked closely with the creative team and our wider network to source materials, props, costumes, actors, equipment, and crew to help bring the idea to life.  


This complex shoot required us to source vintage props and niche costumes, such as a medieval robe and accessories. Fire was a key element in the narrative of ‘The Ritual’ and using it on such a large scale, we brought in a pyrotechnic who could advise on how best to build a large bonfire that would burn continuously throughout the shoot. A fire performer was also brought on board to further boost the visual elements in the advert.

PRE-PRODUCTION


Building on the high-quality, narrative-driven content we’d produced for Debitam previously, we began the production with a discovery call to get a better insight into the company’s content goals and to understand what they needed. From this call, we internally brainstormed a number of key ideas and created a concept presentation outlining seven of the best ideas. The majority of these included elements of comedy and humour, as this tone has been well-received by Debitam’s audience in our previous work.


Once ‘The Ritual’ idea was selected, our creative team put together a series of moodboards to show what we wanted the video to look like. This provided us with a solid starting point to plan what we needed for the shoot. In addition, we drafted an early script and storyboard and refined these as we went along. Having a script and storyboard in the beginning of the process, allowed us to think about all the logistical elements we would need to consider when preparing this shoot.


Throughout the pre-production process, our producers worked closely with the creative team and our wider network to source materials, props, costumes, actors, equipment, and crew to help bring the idea to life.  


This complex shoot required us to source vintage props and niche costumes, such as a medieval robe and accessories. Fire was a key element in the narrative of ‘The Ritual’ and using it on such a large scale, we brought in a pyrotechnic who could advise on how best to build a large bonfire that would burn continuously throughout the shoot. A fire performer was also brought on board to further boost the visual elements in the advert.

PRODUCTION

Production of ‘The Ritual’ took place overnight in Bentham, North Yorkshire with our core team present (Director, Producers, Videographer, Photographer), as well as a Gaffer, Pyrotechnic, Make-Up Artist, and a cast of seven actors. Crew calls were scheduled throughout the day, with the earliest arrivals at 11 am to welcome the tents and wood pallets. These were set up and left in position for the first call time.


‘The Ritual’ was shot in 5K on our two RED Scarlet-W cameras, enabling us to capture every detail with brilliant clarity and colour. We shot at 48fps, giving us both beautiful slow-motion footage, as well as the flexibility to speed up the clips to 24fps in post if required.


The set was lit with 1x Arri True Blue 2.5K HMI and 1x Aputure Nova. These allowed us to create the illusion of brighter moonlight. Most of the light in the video came naturally from the fire, which the cameras were able to pick up with fantastic detail. The organic flickering and dancing of the flames added a feeling of authenticity to the video, making the story come to life even more for the audience. The shoot wrapped at 3 am, with the final crew leaving the site at 6 am.

POST-PRODUCTION


Working with the detailed script and storyboard, we pieced together the 90-second advert, as well as the 6 social clips, which were optimised for quick, vertical viewing on platforms such as Instagram and Tik Tok. The video was edited, mixed, and graded by our in-house team, with a voiceover provided by David Lambert.


The video was delivered in a number of social-ready formats with and without captions, including 9:16, and 16:9, as well as our usual cinematic widescreen (2:35.1).

WHO ARE THEY?

Debitam is an online accounting and tax filing company dedicated to making the lives of its clients easier by doing annual tax filings for them. They offer quick, paperless service, making that time of the year feel less like a ritual.

We previously worked with Debitam in 2021, when we created the 'We've Got Your Back' advert. Based in London, UK, they are partnered with the likes of Lloyds Banking Group, Stripe, Quickbooks, and many more well-known players in the realms of finance.

WHAT DID WE DO?

For this advert, we took the idea of account filing literally feeling like a ritual.

'The Ritual' follows a group of small business owners as they perform an annual ceremony to appease the accounting gods. The arduous tasks the night brings leaves some exhausted and frail. What they don't know is they could have got Debitam to do their accounts for them.

WHAT WE CREATED

YouTube is a powerful tool for businesses. With over two billion active users, YouTube offers a huge potential audience. However, capturing viewers' attention on YouTube can be challenging, as they are used to seeing short, attention-grabbing videos. That's why we created a digital advert for Debitam that is just over one-minute long. The advert was specifically designed to catch viewers' attention within the first five seconds, with a fiery and spirited opening scene.

Behind-The-Scenes of 'The Ritual'
Let’s Make Videos

           Level up your video

Prefer good ole not-so-snail mail?

enquiries@mcgillproductions.co.uk

Fancy a full time position or freelance gig?

enquiries@mcgillproductions.co.uk

Lancaster office

(+44) (0) 1524 907005

London office

(+44) (0) 20 7459 4304
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.